Sir
Peter O'Sullevan
While
National Gallery warden and inveterate punter John Gilbert dreamed
of his young son Terry becoming a jockey and aiding his daily bid
to seperate the bookmakers from their money, Gilbert junior was
focussing on the distinguished works which his father was paid to
oversee.
His
precocious talent for replicating the technique of the masters inevitably
made Camberwell College of Arts a more suitable objective than the
racecourse.
Here
the south Londoner's skills were so developed that by the age of
sixteen - the year his father died - he was already en route to
firm establishment in the competitive arena of commercial art.
But
the keen eye and interpretative skills of Terence John Gilbert ensured
that his international renown would transcend all boundaries. From
California to Calif the demand for his work is reflected in brilliantly
successful exhibitions from Hollywood to the Emirates and intermediary
points - as at the Royal Henley Regatta.
For
it is Terence Gilbert's versatility, knowlwdge of anatomy and outstanding
draftsmanship that make him the outstanding chronicler of the passing
scene that he is.
From
this admirer's standpoint it is a happy detail that Gilbert senior's
appreciation of the horse is continually reflected in the vibrant
work of his marvellously gifted son. 
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